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- Snow White and the Seven Dwarfs
-
-
- (December 27, 1937)
-
- Released this week was the latest Disney venture, Snow White
- and the Seven Dwarfs, the most ambitious animated cartoon ever
- attempted. It took Disney's many hands over three years to make.
- Snow White, like Mickey Mouse, was a creature of necessity.
- After sound came whopping in, Disney needed a character to
- replace silent Oswald The Rabbit. From a night of heavy thinking
- in an upper berth in 1928, Mickey Mouse was born. When the
- bulging double-feature movement began three years ago to crows
- out the Disney shorts, Disney resolved to enter the feature
- field himself.
-
- Few changes have been made in the Grimm story. The dwarfs have
- been developed until each has character of his own -- that of
- Dopey so unexpectedly heart-winning that Disney may use the
- mute, youngest dwarf in a series of his own. Wood creatures have
- been animated with the same type of clever personalities that
- birds and animals acquire in the Disney shorts. Songs, dialogue
- in verse, dialogue in prose and silent sequences with incidental
- sound and music have been worked into a harmonious pattern.
- Catchiest tune: Hi-Ho, as the dwarfs trudge home from work.
-
- Skeptical Hollywood, that had wondered whether a fairy story
- could have enough suspense to hold an audience through seven
- reels, and whether, even if the plot held up, an audience would
- care about the fate of characters who were just drawings, was
- convinced that Walt Disney had done it again. Snow White is an
- exciting as a Western, as funny as a haywire comedy. It combines
- the classic idiom of folklore drama with rollicking comic-strip
- humor. A combination of Hollywood, the Grimm Brothers, and the
- sad, searching fantasy of universal childhood, it is an
- authentic masterpiece, to be shown in theatres and beloved by
- new generations long after the current crop of Hollywood stars,
- writers and directors are sleeping where no Prince's kiss can
- wake them.
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-